THE WORLD • Reddish mini LP

THE WORLD Reddish 12” mini LP

Lumpy Records

The World Reddish LP

Excellent follow up to their debut LP, First World Record, which rocked me on my heels with their post punk style akin to Family Fodder. The World are a bit of a “super group”, consisting of members from Andy Human and The Reptoids, Beatniks, and Blues Lawyer. They have combined their creative super powers to make one of the best bands going these days. I predict that in twenty years a younger generation will be looking to The World discography for sound inspiration. I also predict that if you skip on getting this today you will live in crippling regret until you right the wrong. Just imagine being out somewhere, say a party with friends, and you hear a song that comes over the stereo, or hi-fi, as the millennials like to say, a song so good that all conversations stop until the song ends, like “Jackson 5” for instance, with it’s shuffling beat and vocals that are otherworldly. You cannot deny the saxophone that takes it next level. You know you’re hearing one of the best songs you’ve heard in a long while. One of your friends in the know (the only kind of friends one should have, really) informs you that its The World, and song is on the second side of their Reddish mini LP, or 12” EP in record collector parlance. Regret hits you like a brick as your mind hurtles back to 2019, and you recall having had the chance to attain this much wanted record for a fair and decent price, but in your youthful foolishness you passed on it and opted to get the latest generic Exploited clone band, the kind of band, that in five years tops, you will forget having ever existed in the first place. “Last Rhodesian” chops it up with a primitive beat that never grows old. The delivery is frantic until it calms towards the end before one last fit. There’s also the to the point “You’re Going Down,” which burrows into your brain, deeper and deeper, until it becomes part of your genetic make up. “Kill Your Landlord” comes on smooth with it’s dub stylings, and the vocals channel Ari Up at times, and just like that, it’s all over.

Be sure to get this record. (MA)

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Justin Dratson: JD   Nate Wilson: NW   Matt Average: MA

PINOCCHIO self-titled 7″ EP

PINOCCHIO – self-titled 7” EP

Toxic State Records

pinocchio cover

I’m turning 50 at the end of this month, and I’m jaded, cynical, and grumpy for the most part, but that’s how life plays out. Despite all that, every now and then I hear or see something that makes me believe that things aren’t all that shitty. Things like this Pinocchio EP. Sure, the cover is pretty bland, and easy to overlook, but get past that and you will be far more than pleasantly surprised. When I listen to this record it makes me think we’re on the cusp of some great era in punk. Maybe we’re in the midst of it already, I don’t know. What I do know for sure is this is one of the fucking best punk records I’ve heard in years, possibly the past couple decades (not like there’s any real stiff competition, but let’s not split hairs in my excitement). Listening to this EP gives me the same rejuvenating rush I felt when I latched on to punk in 1981. A new world rife with possibility, and everything sounded fresh and great. It makes me want to be involved, instead of standing at the back or on the sidelines. I listen to this and wonder what their live shows are like, and I would love to had been there when they were writing and recording these songs. Every song on here is inspired. Pinocchio inhabit a sound somewhere between punk and post-punk, but they’re not nailing their feet to the floor to stay in one place. It’s in doing so that gives them life and keeps them from being a reenactment band. The woman who sings has a great voice, and never delves into histrionics. Her focus aids in the sonic impact with the rest of the band. Imagine the Slits and the Delta 5 without the reggae influence crossed with early American hardcore. “My Time Vol.1” reminds me of the Talking Heads with its walking beat, minimal instrumentation and lyrics. They wrap it up in the second volume on the second side by cranking up the energy before reverting back and turning tables with the close “Your Time.”

The “Light Speed” trilogy brings the faster tempos into the fold and tilt towards mania at times. “Behind You”, which sits in between volumes two and three, floors every single time. The tempo is at a boil, a catchy as hell beat, and the vocals are in fine form. “Trick Plane” is godhead with the tribal percussion, confrontational attitude, and it’s brevity leaving you wanting more. (MA)

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Justin Dratson: JD   Nate Wilson: NW   Matt Average: MA