DESTRUCT self-titled LP (2020)

DESTRUCT •  self-titled LP (2020)

Grave Mistake Records 

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I’ve been looking forward to this one for a long time. DESTRUCT are from Richmond Virginia and Share the guitarist from ENFORCED. The dude Zack is pretty amazing both as a player and a writer, he seems to be able to do it all. 

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This record is straight up BASTARD worship done pro with some other influences thrown in here and there. For those of you reading this that have never heard the legendary Japanese Hardcore band BASTARD I envy you. I wish I could have my mind blown once again by hearing BASTARD for the first time. Other than BASTARD, I hear DISCHARGE, and most people will snicker when I say this, but I hear early SHEER TERROR vocally.  Obviously, I don’t think that was done on purpose, but I hear a lot of “I Just Can’t Hate Enough” when the singer is screaming along to these vicious tunes. To me everything about this record is perfect. The production is sick, and the drums just pound right through the speakers and keep my head bobbing. The production is spot on.  I can’t imagine I’ll hear another HC record that comes out in 2020 that will have me as excited about it as this one does.  Don’t sleep on this one, hit up Grave Mistake Records or your local record shop to get this one before its gone.  (NW)

Hit me up on Instagram if you want to send me your release for review at: nate_gloom

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Justin Dratson: JD   Nate Wilson: NW   Matt Average: MA

 

ENFORCED • At the Walls LP (2019)

ENFORCED • At The Walls LP (2019)

War Records     

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I wasn’t really going to buy into the hype of this Richmond, VA band. My buddy Telf has been going on to me about how awesome they are for the last year, and how the guitarist Zack is one of the best writers of extreme music in Richmond. Well, after listening to this LP only once I was sold.  I immediately flipped the record over and listed to side one again….I’ve spun it many many times since then.  

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This is a total top notch recording for this no nonsense metal/hardcore band.  People always seem to compare them a lot to Powertrip…I don’t hear it.  What I do hear is a lot of Slayer.  Yup… Slayer, Slayer, and more Slayer. Seriously, some of these riffs could be sold to Slayer to finally make a decent new record (donate those riffs Zack).  The dive bomb solos and wanks are perfectly positioned in these songs, and are not overdone.  What I do hear beside Slayer would be Sepultura, LeeWay, Ringworm, Integrity, Excel, Madball, and a little bit of the Cro-mags.  But honestly, I think this stuff just stands on its own… totally tough sounding music to pound one another as your pals are running around the pit being wacky.  I love this record and am very excited to hear what else these guys are capable of.  (NW)

Enforced: https://enforced.bandcamp.com/album/at-the-walls

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Justin Dratson: JD   Nate Wilson: NW   Matt Average: MA

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UNDER ATTACK

UNDER ATTACK –  Demo

Tape (and Bandcamp)

Available through Vinyl Conflict and Autoreverse (see Bandcamp site for e-mail address)

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Under Attack. Photo by Mike Thorn

As much as I love to hear new bands who sound like old bands, I find I prefer to hear a band that isn’t looking backward and chooses to be firmly grounded in the present. That said, there is something about Under Attack that reminds me of the very few straight up no frills hardcore punk bands from the 1990s. Maybe it’s their heaviness, relentless riffs, and dirty sound. No real clue, and I’m not terribly interested in getting bogged down in figuring it out. Too busy living in the moment.

Under Attack is an all-star band with a pedigree that will make the most jaded sit up and take notice: Hail Mary, Limp Wrist (the first album and EP – the good records), Discordance Axis, Human Remains, Suppression, Eucharist, and some other bands I’m momentarily forgetting.

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Under Attack demo is known to send apes on a violent rampage. Photo by Nate Wilson

Five songs that clock in just a little over 6 minutes total, Under Attack crank out a heavy and semi dark sound that goes all out from the opening of “Drained” to “The Comforting End” (the longest of all five, at 1:35). Alex Copeland has a strangled vocal sound that works in tandem with Mark Telfian’s guitar mercilessly raking across your ears, while Witte bashes the hell out of his drums, and through it all, as much as these songs are nasty sounding, they are also catchy (don’t come in to this expecting a grindcore Discordance Axis 2.0).

“Through the Blade” is my favorite cut here, with a opening riff that brings to mind the Battalion of Saints, and then Jason Hodges and Witte come in the with low end to give it any more punch. The vocals also sound stronger here as well, bellowing out “I just want a reasonnnnn!!” and then going into the rest with urgency.

A new band to be excited about, and particularly if you’re part of the burgeoning AARPcore scene. Very much looking forward to hearing what they have next (and hoping they find themselves out west in the not too distant future). (MA)

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Nate Wilson: NW   Matt Average: MA