REGIONAL JUSTICE CENTER • Crime And Punishment 12″ 2021

Closed Casket Activities

Well the wait is finally over. This is the second 12” from these Seattle pounders and it has me nodding along to the really slow sludge parts, then playing air drums to the ripping fast parts.  The drums are what really make this band/record for me. Dude is a machine. Vox are stellar as well… I know I should really read the lyrics but I literally don’t care what this cat is screaming about, I just know it’s angry and mean.  At first listen I was a little bummed on how short this 12” 45 is, but I’m on my third listen (to digest it and review it) and I feel like it’s the perfect length for a band of this style. I know a lot of people hate the term in which the style of music these folks are playing, but its pretty much PV that does not completely rip off or steal a sound from a specific band. Yes they probably like Crossed Out, MITB and Infest but it isn’t a direct rip. I’d really like to see them live someday if the world of shows ever opens up again. The label that put it out is from my old ‘hood of Albany /Troy NY so I’m proud that Closed Casket Records got on board to make this record happen. More kick ass art work from my brother Mark McCoy, the images are perfect for this platter. (NW)

Hit me up on Instagram if you want to send me your release for review at: nate_gloom

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Justin Dratson: JD Nate Wilson: NW Matt Average: MA Heath Row: HR

HARD FOUL • demo tape 2020

HARD FOUL demo tape 2020

625 Productions

So cool to see Dan from Spazz, Funeral Shock, etc., still doing HC and being productive after years and years. Other band members also come from Plutocracy, Agents Of Satan, and Funeral Shock. Eight raging tunes that seem to be heavily themed on NBA basketball. I love this shit, and wish there was a lyric sheet so I could get the full scope. The tape starts off sounding very East Coast HC… then by song 2 and forward the true powerviolence starts to kick in. Loud bass riffage, Dan’s killer guitar riffs and fast blasts and bursts keep it fun. I’m sure Dan prolly hates the term PV by now and cringes when it’s used to describe his projects… but you can tell by his playing that it’s just stuck there in his blood forever. The other side of the tape is a really well done live set from a radio show. Oh, and the demo side is recorded at none other than Bart Thurber at the legendary House Of Faith.  Cool stuff. Support. (NW)

Hit me up on Instagram if you want to send me your release for review at: nate_gloom

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Justin Dratson: JD Nate Wilson: NW Matt Average: MA Heath Row: HR

CORRUPTED MORALS • Chet 12″ EP

CORRUPTED MORALS – Chet 12″ EP

Lavasocks Records 

2020

This is a reissue of the 1988 CM chet 7″ ep that originally came out on Lookout Records, but with 5 extra songs from that same demo session.  This version came out on Lavasocks Records. It’s been remixed and remastered and somehow nobody fucked it up. These guys were hands down my favorite Bay Area band ever.  Yes EVER!  They were able to cross metal and hardcore in a perfect way that others were trying way to hard to make work. It was organic, and didn’t reek of trying too hard.  They were formed out of the Bay Area metal band Desecration with Bob Yost (RIP) on vox.  CM was basically Desecration without Bob on vocals. 

 I was lucky enough to see them a ton and got to know Joel Wing (the bassist) a little while helping to build the stage at Gilman street in maybe 86-87?  This stuff sends shivers down my spine, and thirty years later I still know all the lyrics. These dudes were super political, and really helped to change a crossover metal heads way of thinking a little.  I traded Joel my old band The Romper Room Rejects demo for the first CM demo.  

The only thing that ever bummed me out about these guys was that about five years ago I’d tracked down the singer (Rik) for an interview. He said he’d do it but he just kept stiffing me to the point where it felt as though I was harassing him. Oh well… Still a fav for sure. Track this down if you can, it is great. (NW)

Hit me up on Instagram if you want to send me your release for review at: nate_gloom

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Justin Dratson: JD Wilson  Nate : NW   Matt Average: MA

DROPDEAD • Dropdead LP

DROPDEAD – Dropdead 2020 LP Armageddon

Anyone who knows me knows how much I love Dropdead both musically and as long time friends. Interaction with them helped change my life for the better and helped form some of my opinions in the 90s. Yes, I will forever gush about them (and this new album). I don’t think it’s much of a secret that I’ve been a pretty apolitical person for a good few years now. I must say though that this is maybe one of the most raging of political records I’ve heard in forever and I fucking love it! Lyrics are printed big enough for old timers like me to be able to read ’em (unlike the past). This shit is so catchy.

I’ve often worried about Bobs vox for a little bit (sounded like he was really straining and losing them). Whatever has happened to them has made them have a great metal crossover feel to them. I love the idea of metal heads picking this up and it changing their musical outlook forever.

This might be their best album to date. I know this is blasphemy to say, but the songs, the production, the layout… everything about it is just tops. It’s not a short 45 rpm LP, it’s straight up 33.

Don’t snooze on this. This will def be a top 10 for me and 2021. (NW)

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Justin Dratson: JD Nate Wilson: NW Matt Average: MA

DROPDEAD • Demos 1991 LP

DROPDEAD • Demos 1991 LP

Armagedon Label

August 2020

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For me Dropdead might be one of the most important 1990s HC bands. I first saw them shortly after the demos were released in 1992 with Taste of Fear and Disrupt at a Unitarian Church in Albany, NY. Bob scared all of us by strutting around, and getting in peoples faces looking like an insane drill instructor or something. They helped to change and shape me forever. Their politics, and love for all things living really hit home with me. On top of that the fast gritty raw noise that they made was always keen to my ears. A perfect match.

If you aren’t familiar with Dropdead they are from Providence, Rhode Island, and have been around for 30 years, or something ridiculous. These demos started it all… “At the Cost of an Animal” is a brutal classic anthem that thousands of punks world wide know and sing along to religiously. It’s sort of their “Breaking the Law”… they play it at every show no mater what.  

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At any rate this LP is a remastered version of the bands two 1991 demos.  Seventeen songs on side 1, and another 8 songs on side 2 (including a cool Infest cover). I’m glad to see this finally come out, I’m really not sure how it hasn’t been booted already after all these years. It’s always been evident to me that the band was really influenced musically by Swedish and Japanese HC …No Security is who first comes to mind when I listen to Dropdead, but there are many other bands that influenced these guys.  (NW)

Hit me up on Instagram if you want to send me your release for review at: nate_gloom

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Justin Dratson: JD   Nate Wilson: NW   Matt Average: MA

GRAVE NEW WORLD • The Last Sanctuary LP

GRAVE NEW WORLD –The Last Sanctuary LP 

2020

Bitter Lake Recordings

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This is a very current reissue of a super rare Japanese LP that came out back in 1992. It was pretty impossible to find the original for sure, even when it initially came out. It features the vocalist of Crow and a bunch of other Japanese hardcore alumni that people will go batshit over. 

GNW really made a weird assed record indeed. To me it has more elements of psych and rock than it does maybe punk hardcore.  I even hear some Zepplin in the vox approach toward the end of the record. Blasphemy, I know! When the hardcore parts do kick in they are so fierce and noisy that it makes all of the waiting well worth it. The guitars are buzzing like broken chainsaws. People will tell you there is some Amebix in the bands sound but I don’t hear it.  I def see it in the art and the text used but Amebix sound like Venom… This sounds nothing like Venom.  

Everything this label puts out is gold and sells out immediately. I’m happy to have been pointed in the right direction so that I could finally have this classic Japanese hardcore album on vinyl.  (NW)

Hit me up on Instagram if you want to send me your release for review at: nate_gloom

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Justin Dratson: JD Wilson  Nate : NW   Matt Average: MA

RUNAWAY TRAIN (1985)

RUNAWAY TRAIN (1985)

Directed By Andrei Konchalovsky

Starring Jon Voight, Eric Roberts, and Rebecca De Mornay

Streamed this on Prime

Transfer is legit good!

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This is a straight up underrated ripping classic.  If you haven’t seen it, well than you need to watch it tonight! One of my favorite films of all time, I’ve probably seen it almost ten times in my life. It’s the best Cannon Group Film in my opinion. There really is nothing like it for that time period. I found myself having to re-watch it again today because I was talking to Devon, and Matt about it, and Matt has never seen it (or even heard of it for that matter). Don’t worry, we’re  trying to change that.  Jon Voight is terrific in this, every single line that comes out of his mouth is as hard and cold as steel. He’s very believable playing a career criminal who is also a hero to all of the other inmates in the prison that he escapes from.  This is Voight’s role of a lifetime here, he has nailed it completely.  You really don’t like his character as a person, but you find yourself routing for him all through out the movie. A very young Eric Robert also stars in this, and plays Voight’s annoying sidekick.  If you love movies like I do then you probably look at Roberts as a annoying D grade hack actor. Well, for this film he is amazing in it, and they definitely could NOT have chosen a better partner to play the part of Buck.  

The story is awesome, with some violence and brutality that is cringe worthy when you watch it happen. This film is based on a screen play written by Akira Kurosawa.

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The only negative thing I can say about this film is the music straight up sucks. At times it sounds like Seinfield meets Knightrider, but even that can’t destroy the movie. I think it holds up just as good now as it did when I saw it for the first time on VHS in around 1986.  I recall renting it with my buddy/bandmate Kenny Donovan. We were hooked and rented it a few other times before I moved back East.  

Do NOT sleep on this, you’ll be shocked at how fun this film is.  I’d rate This as an 8.  (NW)

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Nate Wilson: NW  Devon Cahill: DC  Matt Average: MA

 

INTER ARMA • Sulfer English 2 x LP

INTER ARMA- Sulfer English 2 x LP

Relapse Records

Inter Arma_1

I really have appreciated Richmond, Virginia’s INTER ARMA’s earlier releases a lot. I’ve given this double LP a listen more than once and just can’t hang or relate to it, and I’ve really wanted to. In my opinion, they seem to have moved away from the heavy doom, Southern stoner sound and traded it all in for a later NEUROSIS vibe. NEUROSIS have always been innovators of sound, and have not been afraid to pursue new/different sounds. With INTER ARMA this record, to me, doesn’t feel truly authentic in the way their earlier releases do. It is almost forced and copied. For me there isn’t really much interesting or even new with Sulfer English, it just sounds like what Relapse Records would want I.A. to sound like (a NEUROSIS clone). The production is great, the musicianship is terrific, but I feel as though they went from almost finding or having their own sound to clearly taking an influence and just rolling with it at full steam. Sorry guys, you lost me on this one.  (NW)

 

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Justin Dratson: JD   Nate Wilson: NW   Matt Average: MA

 

CAPITLE • Why 1981 – 1986 cassette

CAPITLE • Why 1981-1986 cassette

Cacophone Records

2019

Capitile

This band might not mean to much to anyone from outside of the Albany NY area… but there is so much I can to say about Albany’s first real hardcore band. These dudes formed out of the ashes of The VERGE (the guitarist and drummer). The VERGE were great, but more dark punk rather than a hardcore band. In 1982 the VERGE got back together and that left CAPITILE trying out other players to keep the momentum going.  Both versions of the band are great. 

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The first I knew of these guys was from the graffiti I saw on the corner of Lark Street and Central Ave in Albany. This must have been around 1983. I’d go to Fantaco Comics and Worlds Records with my parents every Saturday, and would see that graffiti on every trip.  Right there, in huge fucking letters on a wall was written CAPITILE. It was scrawled all over Albany in the early 1980s right up until around 1992 when it was finally cleaned up.  Back then, I had no idea what it meant or who the band was (it was 1983 I was still just a young metal kid). I just thought it was a political statement in regards to Albany being you know… the capital (misspelled). It was in either 1984 or ’85 when these guys played Lark fest. Some work friends (Todd Smith) and myself went to see what Larkfest was all about. We saw a few other really crummy bands playing outside on Lark Street. When Capitle played I had no idea what I was seeing, and didn’t fully grasp what they were doing. I, to this day, still can’t recall much because I was drunk and stoned. What I can tell you is that it was outside, and the sound really sucked. They played on the back of a truck bed, or something.  Larkfest later turned into an annual community festival that still happens to this day.  

Capitile tape_3

Fast forward to maybe 1990 after I’d moved back to Albany from SF, and somehow found the now legendary Erl Records. Immediately, Dave (the owner) and I realized we went to the same high school together and even rode the same bus.  I was the guy sitting in the back of the bus shooting spitballs in Daves afro. At any rate, hanging out at Erl records I became friends with Phil Samuels who was the bassist of Capitile.  We’d hang out at the shop while these guys drank, smoked and talked good music.  Phil told me many stories of those early days of punk in Albany. Unfortunately, Phil (the Surgeon General) passed away a few years ago from lung cancer. He was a super sweet guy and is missed by many of us.

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For those of you that have never heard CAPITILE, I just have to say that I have always heard elements of BLACK FLAG, SUICIDAL, MINOR THREAT, and yup, I even hear some AGNOSTIC FRONT in there. Some of the songs are super short bursts, and that was pretty unheard of in Albany back in those days.  

This tape compiles everything these guys ever did between 1981 to 1986.  Twenty five songs from two demo tapes and some compilations. It’s of my opinion that this tape is all you need to hear by this band. Any reunions or re-recorded songs for records are useless to this old dude. Buy this shit! (NW)

Hit me up on Instagram if you want to send me your release for review at: nate_gloom

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Justin Dratson: JD Wilson  Nate : NW   Matt Average: MA

GAME • No One Wins LP

GAME • No One Wins LP

2019

Beach Impediment Records

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It’s kind of funny… because as soon as I put this slab on my turntable the first thought I had was that of the 1980’s Heavy Metal act, ACID.  I proceeded to turn the record cover over and the first song on side two is called Acid.  Maybe I’m not that crazy after all!

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This is nothing like I expected it to be. I expected some U.S. sounding hardcore punk ala Boston for some reason.  Instead it has a great catchy heavy metal feel to it, and I’m guessing that was not really the intention?  Then again I’m way the fuck out of touch with current hardcore/punk.  If this is what hc is supposed to sound like in 2020…well then sign me up, things have definitely progressed and changed a lot for the better because to me it’s really just melodic fast metal (which I’m 100% okay with).  Yes, metal is normally the lane I prefer.

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This music is pummeling with low end aggression, super melodic riffs and vox that are equally as catchy as the riffage.  The lyrics could also be mistaken for some metal lyrics.  Everything about this record is done with professionalism and beauty.  I really love this and have listened to it three times in a row so far tonight.  My only complaint is that the record feels too short, and left me wanting a lot more.  I guess that is the point though, right?

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Jonah Falco is the guitarist in this band, and for those who don’t know he plays drums in FUCKED UP (this obviously sounds nothing like F’dU).  Ola Herbich from Arms Race and Quality Control HQ plays bass and keeps things rumbling along with the drummer who just loves playing beats on the toms.   Great Metal from the land of great metal… England! (NW)

Hit me up on Instagram if you want to send me your release for review at: nate_gloom

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Justin Dratson: JD Wilson  Nate : NW   Matt Average: MA