OBEDIENCE • MMXIX LP

OBEDIENCE • MMXIX LP

Fair Warning Records

OBEDIENCE_2019_BW
Obedience gets their washing done while blazing through a live set . Photo: Jack Blackmon

Obedience are back with a full length of ripping hardcore punk that does not waste a second getting down to business. From the opener “Abuse of Power” to the closer “Divide” it’s a relentless ride the whole way through with zero detours. Pedal the the metal! Get on or get mowed over. The songs are as catchy as they speedy, which is no easy feat. Check out “Snake Oil” and “Wall Me In” (a song that sticks in your head for days) for a couple of very good examples. Catchy doesn’t always mean tepid pop punk. “Empty Words” is blazing full on number that can slow the tempo down in a flash and lose none of the intensity set up by the main hammering pace, and Dave Ackerman’s vocals have this gnarled and strained quality about them that effectively conveys the urgency of the moment. I’m also hearing some Tony Erba influences in the delivery. “I Won’t” is wound up and white hot frantic that somehow manages to stay focused on the mission of crushing your head with sonic force. That short guitar solo from Kevin Alexander pushes it over into the roiling chaos that swirls around it. There’s also a good dose of East Coast influences with breakdowns throughout the record, giving the music more power and more impact to the fast full on assaults. Band personnel consist of folks from Tear It Up, Concrete Elite, Severed Head of State, Criaturas, Breakout, and Signal Lost, but don’t come into this expecting to hear snippets of those bands. Obedience is its own beast, seamlessly melding the past with the present, and creating something that doesn’t need to rely on past endeavors. Get with the times, and get this. (MA)

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Justin Dratson: JD   Nate Wilson: NW   Matt Average: MA

JACKAL self-titled 7″ EP

JACKAL – self-titled 7” EP

Pain Killer Records

Jackal cover

Jackal (current hardcore band from Florida, not to be confused with the chainsaw wielding rock from the 1990s) don’t mess around! They come out with both barrels blazing and do not let up until the very end. Their sound is heavily influenced by the early 1980s USHC bands like White Cross as well as some of the East Coast bands of that era for extra punch. It helps to have a breakdown thrown in to alleviate the sonic pummeling they deal out. The guitar has a thick sound, while the drums have a rumbling style that gives everything a solid base, and hints at the chaos roiling underneath. Lyrically, they vent their frustrations with life, and fighting, and fighting. There’s no pretense here. My one and only complaint with this record is it’s only four songs and I want to hear more. First world problems (currently)….  (MA)

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Justin Dratson: JD   Nate Wilson: NW   Matt Average: MA