GRAVE NEW WORLD • The Last Sanctuary LP

GRAVE NEW WORLD –The Last Sanctuary LP 

2020

Bitter Lake Recordings

Grave New World_1

This is a very current reissue of a super rare Japanese LP that came out back in 1992. It was pretty impossible to find the original for sure, even when it initially came out. It features the vocalist of Crow and a bunch of other Japanese hardcore alumni that people will go batshit over. 

GNW really made a weird assed record indeed. To me it has more elements of psych and rock than it does maybe punk hardcore.  I even hear some Zepplin in the vox approach toward the end of the record. Blasphemy, I know! When the hardcore parts do kick in they are so fierce and noisy that it makes all of the waiting well worth it. The guitars are buzzing like broken chainsaws. People will tell you there is some Amebix in the bands sound but I don’t hear it.  I def see it in the art and the text used but Amebix sound like Venom… This sounds nothing like Venom.  

Everything this label puts out is gold and sells out immediately. I’m happy to have been pointed in the right direction so that I could finally have this classic Japanese hardcore album on vinyl.  (NW)

Hit me up on Instagram if you want to send me your release for review at: nate_gloom

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Justin Dratson: JD Wilson  Nate : NW   Matt Average: MA

DEAD OF NIGHT self-titled 7″

DEAD OF NIGHT – self-titled 7″ single

Red Menace Records

Dead Of Night

Getting a random record in the mail is like answering a phone call from an unknown number; that call could be a long lost friend wanting to catch up or a person trying to get you to do a survey about your insurance. In the end, it’s all a bit doomed but one of them is easier to stomach and the other you fuck with or hang up on (you decide).  However, that wasn’t the case on either side with this Dead of Night 45. I really needed this stamp right now. It hit on all the sorrow and anxiety I was already feeling. It amplified it and then calmed me in knowing that these fellas are sad, too. Musically it sorta reminds me of that one Amebix LP that’s really sorrowful for the past lyrically and drags you from ditch to ditch in with a concussive sonic attack.

Here’s the thing though, it is so heavy and hopeless that I want to find these fellas and pet their hair and tell them that everything is going to be OK. You know what I mean? Like maybe just a hug, some eye contact, and a sincere “I like you, you’re worth it”. But if I do that, they could lose the thing that makes this so great. Also, let’s be honest, if you listen to this it is pretty obvious that these guys are adults. To be clear, I’m referring to the misery that comes through losing a parent or child, a car crash, losing a job, having friends OD, no longer living in a punk house and having to pay bills, break ups, back togethers, realizing your vote means nothing, ideas and dreams crushed under the yoke of everyday life, prolly growing up going to church for a while and having an internal conflict over being in a country that is on the Lord’s side but also responsible for so much suffering, having a kid and not knowing how to protect her/him from what you know is coming… or whatever, all cool. So on and on, I guess. I’m just saying that I felt a connection. Those Amebix folks were young and they made a record around what they thought the world was, wherein Dead of Night is living through that world and their commentary isn’t hyperbole or fiction, it’s truth.

Look, Dead of Night, I’m headed to Maryland Death Fest this week with my pals Will T, Keith H, Kyle H, Mario T, and David M.  If any of you from Dead of Night are there too, I’ll give you a big hug, tell you it’s all going to be OK and then I’ll pull you close and whisper in your ear something like “in these 30 seconds we took to meet, 1000 puppies were gutted and twice as many children lost their fingers in machines making shoes for you” just to fuel the fire for your next record.

My only critique, and it might be the style that I’m not familiar with, but for anyone that gets this melancholy heavy banger, it’s cut a little quite and bass heavy so I turned up the treble a bit and cranked the volume.

Side A The Culling
Side B The Scourge
(JD)

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Justin Dratson: JD   Nate Wilson: NW   Matt Average: MA