The one movie event that matters is tomorrow, October 23, at the legendary Aero. I cannot wait! I’ll post more photos in a couple days from the event.
BUTCHER, BAKER, NIGHTMARE MAKER (aka Night Warning)
Starring: Susan Tyrrell (Cheryl Roberts), Jimmy McNichol (Billy Lynch), Bo Svenson (Detective Joe Carlson), Julia Duffy (Julie Linden), Bill Paxton (Eddie)
Director: William Asher (Michael Miller, uncredited)
Music: Bruce Langhorne
Viewed: 35mm / Aero Theatre Horrorthon
Print Quality: Not great, but watchable
I remember the chills that ran down my spine the first time I dropped the needle on Mercyful Fate’s first EP and was totally blindsided by that blistering guitar solo that opens “Corpse Without a Soul.” I mean the song opens with the fucking solo! Thirty years later, my experience watching the opening scene of Butcher Baker Nightmare Maker was almost exactly the same. The first 3-minutes of this film are just so intense that it leaves you wondering where can it possibly go from here.
Turns out that one of the things that make that opening sequence so distinct is that it was born of a different director and cinematographer. Apparently, Michael Miller (Jackson County Jail) shot that bit with Jan Du Bont (Private Lessons, Die Hard) but both were fired and replaced by veteran TV show director William Asher and Robbie Greenberg (Lucifer’s Women, Swamp Thing) to finish it out. Somehow the final product works, though…and then some!
But then again, how could it go wrong with the brilliant casting of Susan Tyrrell (Forbidden Zone, Angel, Open All Night) and Jimmy McNichol (those fabulous McNichol’s) in the leads and Bo Svensen (The Inglorious Bastards, Inglourious Basterds) as the pathologically overconfident homophobic detective thrown into the mix.
It’s difficult to summarize much of the story without ruining half the fun, but I assure you Tyrell delivers and absolutely crushing, must-see performance as Aunt Cheryl, whose incestuous lust for her nephew Billy (McNichol) leads to some delightfully insane and ever-escalating consequences. William Asher deserves equal respect for his perfectly paced slow burn of Aunt Cheryl’s unraveling that builds to psychotic crescendo that is purely unforgettable cinema. Kudos, too, to the anachronistically positive portrayal of homosexuality embodied in Billy’s basketball coach Tom Landers played by perennial TV actor Steve Eastin. This film was truly ahead of its time.
For me this was the real standout in the Aero Theatre’s Horrorthon line-up this year and immediately skyrocketed to the top of my list of must-see movies to recommend.
It’s just nuts that this film still flies somewhat under the radar almost 40 years after its release.
Nate Wilson: NW Devon Cahill: DC Matt Average: MA
So this is a couple weeks past due. and whatever. But the Aero Horrorthon really lasts for more than just one night. It becomes a way of life. It creeps into your mind and soul. Movies you may have seen many times before become more than a movie, they become this sort of experience. Yes, you may have seen The Thing, or Halloween III a few hundred times, but those viewings were never as great as they are on the big screen in at the Aero. Even bad movies like Ruby are somehow not so bad at 1 in the morning in a crowded room and your mind is starting to disintegrate. Months later you find yourself singing the song to the 1980s Census commercial, or looking up Dennis Parker on YouTube and thinking everyone should be in agreement that “Like an Eagle” is a great song. People who have shared the experience all have inside jokes, and “I’ll give you a ride” becomes a signifier that you are in the know. To not know who Corn Gorn is, or Wizard Cop, or Candy from Randy is is a life half lived. (MA)
This year’s line up was Critters (1986), Halloween II (1981), Ruby (1977), Lisa and the Devil (1972), Butcher, Baker, Nightmare Maker (1981), Demonoid: Messenger of Death (1980), The Crazies (1973)