THE BLACK BLACK • Careful on Your Way Out LP

The Black Black Careful On Your Way Out LP

Ewel Records


I’m going to start this the same way that I started the Groupie review because I got this record on the same day so… First things first, I’m a total jerk. Hands-down, I’m not covering anything, I’m not going to hide behind the pandemic, I’m not going to hide behind the fact that someone nearly stole my identity, I’m not going to hide behind guns shipped in my name across the United States, I’m not going to hide behind any family illness, I’m not going to hide behind moving, I’m not going to hide behind anything. I received this record over a year ago and simply due to my laziness I have not addressed it in the respectful and proper way that should’ve been addressed. So, without any further ado, let me tell you about this the The Black Black Careful on “Your Way Out” record. Let’s start with the cover of this the The Black Black record, is a drawing of the backs of two young lawless lovers, or at least early crushing on each other, handcuffed with a cop standing over them and all of life’s little needles and pushes and prods trying to collapse in on this little spark of life these two kids are sharing. These two kids seem perfectly content to be handcuffed as long as they are next to each other. My guess is that this is a pop punk record. I’m stoked to spin it because New Jersey New York has had some grotesquely overlooked melodic bands that have come out and those areas. Dang duder, I dropped a needle and I could not be more wrong. This is post punk dance amazingness. This could fit right in with Talking Heads, Television, Medium Medium, APB and more recently NYC’s Radio 4, the Flesh, Lost System with a nod to goth (in a good way). All of this while managing to carve out their own sonic lane. “No Satisfaction” the first song on the LP is great but they had the perfect opportunity to reclaim the lyric “why can’t I get NO satisfaction” to “… any satisfaction”?  Meh, moving on, when the fuzzy bass starts the song “Guilt Free Genocide” I’m hooked. Lines like “where do we put the poor people once we don’t need their labor” and “guilt free genocide, rich people for climate change” I think it’s creepy because of its accuracy. The record itself is the color of sand but not beach sand. It’s the color of the sand you find on a long dirt road, dusty, hard to clean off, staining clothes. Ending side 1 is “Fun Police” with an infectious chorus of “ Who made you the fun police, did you always want to grow up and be a narc” and that line is a total crack up. “2Kool2Dance” has a rad Love and Rockets feel which brings a pleasant familiarity to the entire record. These folks aren’t afraid to throw it all out there. “Vansanity” closes out side 2, grabs onto the grizzly reality of vanity, narcissism, a life without consequence, and doing whatever it takes to be where you want to be. This is a really terrific Ewel records release and leaves me hoping to hear more from the The Black Black.  (JD)
Preview a tune and then buy the whole dang thing here!

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Justin Dratson: JD Nate Wilson: NW MA: Matt Average

Published by

Badtransfer

Movies and music your (husbands and) wives despise. We cover what we like: Gore, grindcore, Euro crime, horror, giallo, spaghetti westerns, metal, Blaxploitation, hardcore punk, cheerleaders, noise, samurai, improv, women in prison, slasher, arthouse, 1970s and 1980s teen comedies, and all points in between and beyond. If you're looking for dry academic treatises you are in the wrong place. Lowbrow is how. Send material for review (physical formats only, please) to: PO Box 25605 Los Angeles, CA 90025

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